"Os Planetas", op. 32, é um movimento e sete suíte orquestral do compositor Inglês Gustav Holst, escrito entre 1914 e 1916.
Cada movimento da suíte é o nome de um planeta do sistema solar e sua correspondente personagem astrológico, conforme definido pelo Holst Com exceção da Terra, que não é observado na prática astrológica, todos os planetas estão representados.
A idéia do trabalho foi sugerida a Holst por Clifford Bax, que o apresentou a astrologia, quando os dois faziam parte de um pequeno grupo de artistas ingleses em férias em Maiorca, na primavera de 1913, Holst ficou muito devoto do assunto, e gostei para lançar horóscopos de seus amigos para se divertir.
A suite tem sete movimentos, cada um o nome de um planeta e sua correspondente personagem astrológico:
Primeiro Marte, o Mensageiro da Guerra (00:00-07:21)
Segundo Vênus, o Portador da Paz (7:22-15:59);
Terceiro Mercúrio, o Mensageiro Alado (16:00-19:51);
4 Júpiter, o Portador da alegria (19:52 - 27:49);
5 Saturno, o Portador da Velhice (27:50 - 36:31);
6 Urano, o Mago (36:32 - 42:14)
7 Netuno, o Místico (42:15 - 49:01).
Título original de Holst (visto claramente na partitura manuscrita completa) que "Sete peças para grande orquestra." hey estréia orquestral da suíte Planetas, realizado a pedido Holt por Adrian Boult, foi realizada a curto prazo em 29 de setembro de 1918, durante as últimas semanas da Primeira Guerra Mundial no Hall da Rainha com o apoio financeiro do amigo de Holst e compositor colega Henry Balfour Gardiner.
Foi ensaiado às pressas, os músicos da Rainha Orchestra Hall, vi pela primeira vez a música complicada apenas duas horas antes do espetáculo, eo coro de "Neptune" foi recrutada de alunos da Escola Meninas de São Paulo '(onde ensinou Holst).
Era um caso Comparativamente íntimo, participaram cerca de 250 colaboradores convidados, mas Holst Considerado como a estréia pública, inscrevendo cópia Boult de a pontuação, "Esta cópia é de propriedade de Adrian Boult, que primeiro fez com que os planetas de brilhar em público e, assim, ganhou a gratidão de Gustav Holst "
"The Planets", Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1916. Each movement of the suite is named after a planet of the Solar System and its corresponding astrological character as defined by Holst. With the exception of Earth, which is not observed in astrological practice, all the planets are represented.
The idea of the work was suggested to Holst by Clifford Bax, who introduced him to astrology when the two were part of a small group of English artists holidaying in Majorca in the spring of 1913; Holst became quite a devotee of the subject, and liked to cast his friends' horoscopes for fun.
The suite has seven movements, each named after a planet and its corresponding astrological character:
1. Mars, the Bringer of War (00:00 - 07:21)
2. Venus, the Bringer of Peace (07:22 - 15:59);
3. Mercury, the Winged Messenger (16:00 - 19:51);
4. Jupiter, the Bringer of Jollity (19:52 - 27:49);
5. Saturn, the Bringer of Old Age (27:50 - 36:31);
6. Uranus, the Magician (36:32 - 42:14)
7. Neptune, the Mystic (42:15 - 49:01).
Holst's original title (clearly seen on the handwritten full score) was "Seven Pieces for Large Orchestra". he orchestral premiere of The Planets suite, conducted at Holst's request by Adrian Boult, was held at short notice on 29 September 1918, during the last weeks of World War I, in the Queen's Hall with the financial support of Holst's friend and fellow composer Henry Balfour Gardiner. It was hastily rehearsed; the musicians of the Queen's Hall Orchestra first saw the complicated music only two hours before the performance, and the choir for "Neptune" was recruited from pupils from St Paul's Girls' School (where Holst taught). It was a comparatively intimate affair, attended by around 250 invited associates, but Holst regarded it as the public premiere, inscribing Boult's copy of the score, "This copy is the property of Adrian Boult who first caused the Planets to shine in public and thereby earned the gratitude of Gustav Holst."
The idea of the work was suggested to Holst by Clifford Bax, who introduced him to astrology when the two were part of a small group of English artists holidaying in Majorca in the spring of 1913; Holst became quite a devotee of the subject, and liked to cast his friends' horoscopes for fun.
The suite has seven movements, each named after a planet and its corresponding astrological character:
1. Mars, the Bringer of War (00:00 - 07:21)
2. Venus, the Bringer of Peace (07:22 - 15:59);
3. Mercury, the Winged Messenger (16:00 - 19:51);
4. Jupiter, the Bringer of Jollity (19:52 - 27:49);
5. Saturn, the Bringer of Old Age (27:50 - 36:31);
6. Uranus, the Magician (36:32 - 42:14)
7. Neptune, the Mystic (42:15 - 49:01).
Holst's original title (clearly seen on the handwritten full score) was "Seven Pieces for Large Orchestra". he orchestral premiere of The Planets suite, conducted at Holst's request by Adrian Boult, was held at short notice on 29 September 1918, during the last weeks of World War I, in the Queen's Hall with the financial support of Holst's friend and fellow composer Henry Balfour Gardiner. It was hastily rehearsed; the musicians of the Queen's Hall Orchestra first saw the complicated music only two hours before the performance, and the choir for "Neptune" was recruited from pupils from St Paul's Girls' School (where Holst taught). It was a comparatively intimate affair, attended by around 250 invited associates, but Holst regarded it as the public premiere, inscribing Boult's copy of the score, "This copy is the property of Adrian Boult who first caused the Planets to shine in public and thereby earned the gratitude of Gustav Holst."
MAESTRO:
Andrè Previn
Andrè Previn & Royal Philharmonic Orchestra
Sejam felizes todos os seres.Vivam em paz todos os seres.
Sejam abençoados todos os seres.
podem exaurir seu lítio quando atingem meio bilhão de anos de idade [Kulkarni], o que demonstra que o teste do lítio não é perfeito.
